Baby Peggy - biography

Silent moppet star Jackie Coogan, immortalized as Charles Chaplin's The Kid (1921), had only one screen rival during the early 1920s, and that was none other than Baby Peggy. She was "discovered" while visiting the Century Studios lot on Sunset Boulevard with her mother when she was a mere 19-months-old and went on to appear in nearly 150 shorts (between 1920 and 1923) and nine feature films during her silent heyday. Often considered a precursor to Shirley Temple, Baby Peggy's most popular film vehicle was the child classic Captain January (1924), which would be made a decade later as a vehicle for Temple. She was born Peggy-Jean Montgomery in 1918 of acting stock. Her father, Jack Montgomery, was a cowboy for years all over the western states. He ended up in the movies as a stuntman and extra driving stagecoaches and buckboards. He supported himself as Tom Mix's double, but never achieved the rugged stardom he yearned for himself. In fact, his daughter was the one who became the celebrity and breadwinner. Many of Baby Peggy's popular comedies were parodies of movies that grown-up stars had made, and she delightfully imitated such legends as Rudolph Valentino, Pola Negri, Mary Pickford and Mae Murray. Her first feature-length film was Penrod (1922); her first film with Universal, The Darling of New York (1923), shot when she was 3-1/2-years-old, was a solid hit. A few more, including Helen's Babies (1924), were also certifiable winners. However, by the age of 8, she was finished. Her fortune reportedly was depleted by her parents (similar to the Jackie Coogan situation) and, within a short time, she was forced to turn to the vaudeville circuit for survival. A comeback in early talkies with the new moniker "Peggy Montgomery" was very short-lived. Her credits, as a result, are often mixed with another actress named "Peggy Montgomery", who was a western ingénue for many years. The former child star lived in dire straits and suffered from nervous breakdowns and near-poverty for many years until she found a new and unexpectedly successful career as a book publisher and writer, using the pseudonym "Diana Serra Cary". As the author of "Hollywood Posse" (1975) and (later) "Hollywood's Children", she commented on her youthful career, post-stardom years, child stars in general, and Hollywood history in all its fascinating glory. Her own autobiography "Whatever Happened to Baby Peggy?" was released in 1996.